Creative Broadcast Agency
Live production

Broadcast-grade live streaming. When failure isn't an option.

Multi-camera broadcast production with redundant everything. Trusted by the United Nations, Google, and COP28 for events where zero downtime is the minimum standard. 300+ events. 190+ countries. Zero complete failures.

Live event streaming production on a GCC conference stage
300+
Events streamed
190+
Countries reached
99.9%
Uptime record
12
Camera inputs
What's included

What we deliver on every engagement

Multi-camera production up to 12 inputs, directed live from a dedicated control room

Redundant encoding and triple-layer connectivity: fibre, bonded 5G, and Starlink

Simultaneous delivery to YouTube, LinkedIn, Facebook, Twitch, Vimeo, or your own platform

Per-attendee engagement report delivered within 48 hours of the event ending

Why this matters

Live streaming is not recording. One mistake and 10,000 people see it.

Recorded video is forgiving. An edit can hide a fluffed line, a duplicate take can replace a missed cue, a colour pass can rescue a bad lighting call. Live streaming gives you none of that. Whatever happens in the room goes to the audience as it happens, in front of the CEO, the board, the sponsors, the press, and the attendees who came to see it.

Most event agencies treat streaming as an afterthought. A laptop in the corner. A Facebook Live from a phone. A RTMP stream from a consumer camera. Then the feed drops at minute 47 and the explanation takes the rest of the week.

We treat streaming the way broadcasters treat live television. Redundant cameras. Redundant audio. Redundant encoding. Redundant uplinks. Redundant power. A director calling the show. A producer watching every element. If one thing fails, the audience never sees it.

Proof under pressure

COP28. IRENA. Google. The floor, not the ceiling.

COP28 UAE. 13 days of continuous broadcast to 198 countries. The United Nations calendar does not reschedule. We delivered without a break. Zero complete failures across the event.

IRENA Assembly. 72 hours of bilingual broadcast, Arabic and English, to 170 nations. Live interpretation in five languages. Live delegate chat moderated in real time. Post-event analytics in every delegation's inbox by Monday.

Google at GITEX. Multi-camera broadcast from the Google stand, cut live, branded, streamed to Google's own platform with a backup feed to YouTube Live. The Google team asked us back the next year.

These are not references. They are the operating standard.

How we run

Redundant everything. No single point of failure.

Signal chain. Every camera records ISO to local media and sends a clean feed to the control room. If the network drops, the recording continues. If the camera fails, a backup angle is already live.

Encoding. Primary and backup encoders running in parallel. Both send to the CDN. If the primary drops, the backup is already there. The audience sees a micro-stutter, not a broken stream.

Uplink. Fibre primary, bonded 5G secondary, Starlink tertiary. Automatic failover between all three. Venues with no fibre still get broadcast-quality uplinks through bonded cellular and LEO satellite.

Power. UPS on every critical rack. Generator backup on events above 500 attendees. Control room can run on battery for 45 minutes if the venue power goes.

People. A dedicated broadcast engineer watches every link end-to-end. If a number moves, they see it before the audience does.

Under the hood

Specification.

Technical specification

Cameras. Sony FX6, FS7, or PXW cinema cameras. PTZ robotics for fixed angles. Hero operators on manned positions. Up to 12 camera positions on a standard build.

Vision mixing. Live director-managed switching with dedicated graphics operator, lower thirds, and branded transitions. Live colour grading on program feed.

Audio. Broadcast-grade wireless with RF coordination. Redundant lavalier per talent for live broadcasts. Audio normalisation and loudness compliance for broadcast distribution.

Encoding. Dual-redundant hardware encoders. H.264 and H.265 output. Adaptive bitrate for audience-side resilience. Automatic failover between encoders.

Delivery. Simultaneous distribution to YouTube Live, LinkedIn Live, Facebook Live, Twitch, Vimeo, or a client-owned platform. Custom RTMP to any destination. Multi-CDN with automatic failover.

Connectivity. Fibre primary. Bonded cellular secondary with carrier diversity. Starlink LEO tertiary for remote and challenging venues.

Recording and archive. ISO record per source plus program mix, timestamped and retained. Broadcast masters in ProRes, H.264, H.265. Chain-of-custody documentation available for regulated events.

FAQ

Questions we get from buyers before they book

What happens if the internet drops during the broadcast?

Nothing visible to the audience. We run fibre primary, bonded 5G secondary, and Starlink tertiary on every production. Automatic failover between all three means a drop on one link is invisible on the stream. The audience sees a stable feed throughout.

Can you stream to our own platform instead of YouTube or LinkedIn?

Yes. We deliver a custom RTMP feed to any destination your team runs. Simultaneous delivery to multiple platforms is standard, so you can run a branded viewer on your own domain while also pushing to YouTube and LinkedIn for reach.

How do I know what actually happened during the event?

Within 48 hours you receive a full event report: viewer counts by platform, peak concurrent, watch-time distribution, geographic breakdown, engagement events (questions, polls, chat activity), and a per-attendee engagement score. Your sales team gets a ranked list of who to follow up with first.

Can you handle a multi-day event or are you one-day only?

Continuous multi-day broadcasts are standard. COP28 UAE was 13 days of continuous broadcast. Web Summit Qatar was 72 hours across 6 stages. We staff for the duration and rotate crew to maintain performance throughout.

What is the lead time for a live streaming event?

Standard is 2 to 4 weeks for a site survey, kit procurement, crew planning, and rehearsal. Shorter timelines are possible for urgent briefs but come with a quote adjustment for expedited sourcing.

Your event deserves production that performs.