Creative Broadcast Agency

Live production / Dubai + GCC

Broadcast-grade live streaming. When failure isn't an option.

Your launch or gala, live to everyone who could not come.

Scope your event
PGM CAM 1 / WIDE
Cuts
0
Last
--:--:--:--

You are the director. Pick a camera, press Take. Keys 1 to 4, then T.

PROGRAMME OUT

To air, on every stream
Two paths
Camera to viewer
One team
After a four-day pilot
Booked again
Replay and report after
48 hours
What you get

Everything between your stage and your audience.

Your launch, gala or ceremony, live to everyone who could not be there. It looks like television and it stays on air.

  • Several cameras, cut live by our director, so it looks like television
  • Your name, speakers and sponsors on screen, right every time
  • Live on your own page and on the social channels you choose, at once
  • A second and third connection on every stream, so a failure never reaches the audience
  • The replay, ready for the people who missed it
  • Who watched and for how long, delivered within 48 hours
On air

Nothing your audience sees goes wrong.

Two encoders
The second is live and ready to take over.
Three connections
Venue fibre, bonded 5G and satellite. One drops, the others carry.
Rehearsed first
Every cue and video runs before the doors open.
What we stream

Which event are you streaming?

How it runs

From the first call to the replay.

  1. 01 Scope Your run of show, who is watching and where.
  2. 02 Survey We test the venue connection and plan the second path.
  3. 03 Rehearse Every cue, video and graphic runs before the doors open.
  4. 04 Live Our director cuts the cameras. Our engineer watches every link.
  5. 05 After The replay and who watched, within 48 hours.
Questions

What buyers ask before they book.

What sits behind it?

Cameras
Broadcast and cinema cameras on manned hero positions. PTZ robotics for fixed angles. Up to 12 camera positions on a standard build.
Vision mixing
Live director-managed switching with dedicated graphics operator, lower thirds, and branded transitions. Live colour grading on program feed.
Audio
Broadcast-grade wireless with RF coordination. Redundant lavalier per talent for live broadcasts. Audio normalisation and loudness compliance for broadcast distribution.
Encoding
Dual-redundant hardware encoders. H.264 and H.265 output. Adaptive bitrate for audience-side resilience. Automatic failover between encoders.
Delivery
Simultaneous distribution to YouTube Live, LinkedIn Live, Facebook Live, Twitch, Vimeo, or a client-owned platform. Custom RTMP to any destination. Multi-CDN with automatic failover.
Connectivity
Fibre primary. Bonded cellular secondary with carrier diversity. LEO satellite tertiary for remote and challenging venues.
Recording and archive
ISO record per source plus program mix, timestamped and retained. Broadcast masters in ProRes, H.264, H.265. Chain-of-custody documentation available for regulated events.

What happens if the internet drops during the broadcast?

Can you stream to our own platform instead of YouTube or LinkedIn?

How do I know what actually happened during the event?

Can you handle a multi-day event or are you one-day only?

What is the lead time for a live streaming event?

Related services

Tell us what you are planning.

We come back within 24 hours with a scope, a price and the assumptions behind both.

What to send
  1. The date Or the window you are working towards.
  2. The venue A hall, an office, or nowhere at all if it is online only.
  3. Who is watching Roughly how many, and how many of them are somewhere else.

That is enough to start. We will ask for the rest.