Creative Broadcast Agency
Conference & summit

Conference production. Multi-stage. Multi-day. Zero drama.

End-to-end conference and summit production. Multi-stage camera coverage, speaker operations, session recording, graphics management, and audience analytics. Proven across multi-day international conferences with 40+ country audiences.

Conference and summit multi-stage production
6
Concurrent stages
72h
Continuous broadcast
85+
Countries watching
500+
Speakers managed
What's included

What we deliver on every engagement

Multi-stage simultaneous coverage with centralised MCR oversight

Speaker ops: mic checks, auto-cue, run-of-show coordination per stage

Session recording with named-file organisation for sponsor distribution

Audience analytics: session attendance, engagement duration, drop-off points

The conference problem

Five stages running at once. One producer cannot be everywhere.

A modern conference runs multi-stage. Main stage for the keynotes. Innovation stage for product launches. Investor stage for the funders. Workshop space for breakout sessions. Media lounge for press moments. Each stage has its own speakers, its own run sheet, its own audience, and its own broadcast output.

The standard agency approach is to hire one freelance crew per stage and hope they coordinate. They do not. Cues clash. Graphics mismatch. One stage starts late because another ran long. The virtual audience sees a patchwork.

Full conference production means one technical director, one centralised MCR, and enough crew on the floor to run every stage to the same standard. The run-of-show is one document, not five. The graphics style is unified. The virtual audience experience feels like one event.

Proof from major summits

COP28. IRENA. Saudi Pro League. Esports World Cup.

COP28 UN Climate Conference. 13 days of continuous broadcast, gavel-to-gavel coverage, 198 countries. YOUNGO channel anchor: 4 languages (English, French, Portuguese, Spanish) live-streamed across 4 dedicated YouTube channels.

IRENA Assembly. 170 nations watching over 72 hours of bilingual broadcast. Delegate Q&A moderated in real time, interpreter feeds, chain-of-custody recording for the archive.

Saudi Pro League. 60+ live fixtures over two years, across the majority of SPL stadiums. End-to-end tech production of live games.

Esports World Cup. Technical Manager role, 3-month engagement, 5 arenas, 2 months of concurrent multi-arena live broadcasting.

Under the hood

Specification.

Technical specification

Stage coverage. Per-stage multi-camera setup (3-6 cameras typical), independent audio, dedicated floor manager. Centralised MCR receives clean feeds from every stage over 10GbE or fibre.

Speaker operations. Mic check protocols, teleprompter integration, IFB to every speaker, auto-cue for plenary sessions, run-of-show coordination between stages so one session start does not clash with another.

Graphics pipeline. Unified graphics template across all stages: lower thirds, session titles, sponsor acknowledgements, live data overlays. Managed by a dedicated graphics operator in MCR.

Recording and naming. Every session recorded as individual file with event+stage+session+timestamp naming convention. Delivered to your designated storage within 48 hours for sponsor distribution, website embed, or archive.

Audience analytics. Session-by-session attendance, watch duration, engagement events (Q&A asked, polls voted), drop-off points. Delivered post-event with per-attendee breakdown so follow-up is targeted.

Multi-language. Simultaneous interpretation feeds routed per stage per language. Virtual viewers pick track in-player. Live captions available in addition to or instead of interpretation.

FAQ

Questions we get from buyers before they book

What is the upper limit on concurrent stages?

Six is the proven benchmark. Larger is possible with sufficient lead time and staffing. The limit is not technical (the MCR can handle more streams) but operational (floor crews and floor managers need to be recruited and rehearsed).

How do you handle bilingual or multilingual conferences?

Simultaneous interpretation feeds are routed per stage per language. In-room audience wears receivers on their chosen language. Virtual audience picks the track in the player. Additional languages can be added via interpreter booths with no change to the production pipeline.

Do we get the recordings delivered separately per session?

Yes. Every session is recorded as an individual file with a consistent naming convention (event / stage / session / speaker / timestamp). Delivered to your designated storage within 48 hours. Sponsor-branded versions can be generated for post-event distribution.

What about investor days, AGMs, or regulated sessions within the conference?

Mixed conferences often include regulated sessions (IR briefings, investor days, compliance-sensitive Q&A). Those sessions can run on the encrypted, access-controlled Corporate Streaming pipeline in parallel to the open-conference sessions. Same control room, different security posture per session.

Can you handle the whole event, including staging and AV?

CBA delivers the broadcast, graphics, recording, and virtual experience. Staging, rigging, and in-room AV are usually partner-delivered with CBA project management, so the client still has one point of contact for technical delivery across the full event.

Your event deserves production that performs.